Showing posts with label Richard Burbage. Show all posts
Showing posts with label Richard Burbage. Show all posts

Thursday, June 21, 2012

Theatre Thursday: A-List Elizabethan Actor Richard Burbage

A detail of a portrait of actor Richard Burbage by an unknown artist. Picture acquired through Wikimedia Commons. Image public domain.

Along with Edward Alleyn, Richard Burbage (c.1567-1619) was one of the two most celebrated actors of the Elizabethan age. Richard Burbage's unique interpretations of some of Shakespeare's more complex characters were what made him famous, although like his father he was also a businessman.

The son of James Burbage, the founder of The Curtain theatre and an owner of a prominent acting troop, Richard was trained as a thespian by his father. In 1587, when Richard was about 20 years of age, he followed in his father's footsteps by joining Leicester's Men, the Earl of Leicester's acting troop. Richard would remain an integral part of this group well into the 1590's, when Leicester's Men was re-incarnated as the Earl of Derby's Men and subsequently the Chamberlain's Men, finally becoming the King's Men upon the accession of James I (Wagner, 42).

Upon the death of Richard's father James in 1597, Richard and his brother inherited two London playhouses, The Theatre and Blackfriars. After a nasty dispute over the lease with landlord Giles Allen (James Burbage article) Richard and his brother feared that Allen might demolish The Theatre altogether in order to rent the land to someone new. Not wishing their father's legacy to be destroyed, the Burbage boys dismantled the entire structure themselves and had it reassembled in Southwark on the Thames. This newly assembled theatre was re-christened The Globe when it reopened in 1599 (Wagner, 42). The Globe, of course, is inextricably linked with the earliest performances of Shakespeare's plays.

The modern reconstruction of the Burbage's Globe Theatre on the Thames. Picture acquired through Wikimedia Commins. Image public domain.

Richard Burbage, already a popular actor in Elizabethan London, quickly ascended to what would be the modern equivalent status of celebrity through his turns as Shakespearean leading men. He was the first actor to play Hamlet, Macbeth, Richard III, Othello, King Lear and Romeo (Wagner, 42). In the world of Elizabethan theatre and well through the period of the Restoration, theatrical performances were driven by roles, not the entirety of a play. Actors made particular roles popular through their portrayals and often became especially associated with one of their characters. Up-and-coming actors would find the task of re-inventing a role made popular by their predecessor a daunting one. For Burbage, the role that he defined as an actor was Richard III (Wagner, 42). As anyone familiar with Shakespeare's canon will have recognized, the roles played by Burbage all has an incredible amount of lines, and most were psychologically charged. While Burbage would have known his characters like the back of his hand, he still would have had to brush up a mere few days before a performance.

A portrait of King Richard III of England, c.1520 after an lost original. The most famous character portrayed by Richard Burbage was Shakespeare's villainous version of Richard III. Picture acquired through Wikimedia Commons. Image public domain.

Being the majority shareholder of The Globe theatre afforded Richard Burbage more wealth than his acting career ever did. In 1609 he was able to afford buying out the lease of the acting company associated with the Blackfriars Theatre so that he could move The King's Men there (Wagner, 42).

Sadly, Burbage would live to see the destruction of The Globe in 1613, when it caught fire during a performance of Henry VIII. Richard Burbage barely escaped the fiery carnage with his life (Wagner, 42). The Globe was rebuilt remarkably quickly, re-opening in 1614. Never retiring, Richard Burbage continued to delight audiences acting there until his death in 1619. Like many of the widows of thespians past and present, Burbage's widow Winifred had to settle her husband's debts before marrying one of her husband's associates in The King's Men, Richard Robinson (Halliday, 77).

Though the location of Richard Burbage's grave is unknown, a memorial was erected to him, his brothers and other actors of the Elizabethan era in St. Leonard's, which is near the original site of The Theatre in Shoreditch.

A memorial plaque for Richard Burbage, his brothers, and other great actors of the Elizabethan era at St. Leonard's in Shoreditch on the Thames. Picture acquired through Wikimedia Commons. Image public domain.



Sources:

"Burbage, Richard." The Historical Dictionary of the Elizabethan World. Print. (By John A. Wagner)

F.E. Halliday, A Shakespeare Companion 1564-1964, Baltimore, Penguin,1964; p.77.

Thursday, June 14, 2012

Theatre Thursday: Theatrical Entrepreneur James Burbage

James Burbage can enjoy the prestige of being the builder and owner of the first theatre in Elizabethan London, aptly named The Theatre

Originally a joiner, (a maker of furniture) Burbage abandoned his trade in favor of joining the Earl of Leicester's theatre company, Leicester's Men. It can be assumed due to his membership in the company in the year 1575 that Burbage took part in organizing and performing the elaborate festivities put on by Leicester when Queen Elizabeth visited him at Kenilworth. Elizabeth and Leicester's summit at Kenilworth is considered by most historians as Leicester's last great attempt to persuade Elizabeth to marry him.

A sketch of the Earl of Leicester, painted from life by Zuccaro as part of the Kenilworth festivities in 1575. Picture acquired through Wikimedia Commons. Image public domain.
A sketch of Queen Elizabeth I, painted from life by Zuccaro as part of the Kenilworth festivities in 1575. Picture acquired through Wikimedia Commons. Image public domain.

In April of 1576, Burbage and his father-in-law began construction of The Theatre in response to the mayor of London's opposition to the performance of plays in the unregulated courtyards of city inns. The Theatre, an open-air round theatre enclosed by a wooden structure (a style later copied by The Rose, The Swan and The Globe theatres) was the first to be built especially for the performance of plays.

Burbage leased the site of The Theatre in Shoreditch from Giles Allen for twenty-one years. The Theatre opened in 1577 and was an immediate success. The Curtain was built to rival The Theatre's success. (For more information on the recent discovery of the remains of The Curtain, please see the link, below)

Burbage's background in performing with Leicester's Men allowed him to seamlessly make the transition from actor to director. Burbage selected, trained and managed his own company of actors.

Burbage's thriving theatre business was a family affair; he had married his business partner John Braye's sister, Ellen. Their son Richard would become, along with Edward Alleyn, one of the most celebrated actor's of the Elizabethan stage. Burbage's acting troupe happened to include his father-in-law, as well as Richard Tarlton, the celebrated comedic stage actor.

A detail from a portrait of actor Richard Burbage, James Burbage's son. Artist unknown. Picture acquired through Wikimedia Commons. Image public domain.

In 1596, Burbage proposed turning part of Blackfriars, the historic Dominican monastery in London, into another playhouse, which he planned to call the Blackfriars Theatre. Strong opposition to a theatre district in the neighborhood (which would undoubtedly bring cut-purses and other crime into the neighborhood) delayed construction until after James Burbage's death in 1597.

That same year of James Burbage's passing, there was a dispute between the Burbage family and their landlord Giles Allen over the renewal of the lease for The Theatre. This conflict led James Burbage's sons to move the playhouse to Southwark, where it was re-christened The Globe. The Globe became the most iconic playhouse of the 16th and 17th century theatre scene, and it is inextricably linked with the earliest performances of Shakespeare's masterpieces.

The modern reconstruction of The Globe theatre on the Thames in London, England. Picture acquired through Wikimedia Commons, shared by photographer. Image public domain.

Source:

"Burbage, James." The Historical Dictionary of the Elizabethan World. Print. (By John A. Wagner)

Links
Shakespeare's Curtain Theatre Remains Found: